I Hate These Commercials

 

 

I am not a big fan of television commercials. I don’t like seeing car companies selling speed with whooshing automobiles and sexy women salivating over the vehicle which only leads idiots to conclude that driving fast is a good thing and will get them plenty of sex too. I don’t like those drug commercials that sell you on something that has so many side effects it’s amazing anyone lives who takes these drugs. I certainly don’t like those male erection commercials that warn if you have an erection for several days after taking their powerful drug you’d better head for the emergency room. Even as a teenager I didn’t want an erection that lasted several days!

But in my business as a professional gambling busybody, the commercials that have driven me over the edge are coming not from auto manufacturers, or from the chemistry industry, or from the erector set, but from the casinos and casino venues.

Here are a few:

In Tunica, Mississippi, Fitzgeralds had a radio commercial that promoted itself as the luckiest casino in the area. How do you measure that? How can you say you are the luckiest casino? What is the precise definition of luck and how does a casino have more or less of it than some other casino? Had the casino said it pays back more on its slot machines and proved that, well, that is a statement of fact – but to say your casino contains more luck is a statement of fantasy to be nice, or falsehood to be precise.

The bizarre thing is that another Tunica casino, The (now defunct)Grand, was also billing itself in radio commercials as the luckiest casino too. It even had radio commercials where “players” claim that they have the best luck at the Grand. So which casino is the luckiest? Can there be two luckiest casinos?

The Vegas promotion of “what happens here stays here” has generated a tremendous positive buzz around the country – it’s more popular than any quote from Shakespeare. It’s also as false as a “dicer’s oath.”

These commercials are designed to make people think that they can do anything they want in Vegas and no one will ever know. Speak to former education secretary Bill Bennett and you learn his multi-million-dollar slot-play losses didn’t stay in Vegas but made front-page news all over the world when “secret” casino files were released. These “what happens here stays here” commercials are recommending that people lie and cheat on their spouses and fiancées. They recommend giving fake names to people you meet so you can have “carefree” pickups. In short, they recommend the type of behavior you were taught from childhood to avoid – the type that is ultimately not healthy for your mind, body or spirit. Germs don’t stay in Vegas.

Now the massive Foxwoods, Connecticut casino came up with a truly nauseating commercial. It was a takeoff of The Wizard of Oz and had several weird looking people cavorting on the grounds of and in the casino. “Dorothy” looked as if she was seriously strung out. The others looked worse. What is the point of the commercial? That people who look like crack addicts have fun at Foxwoods?

Foxwoods competitor, Mohegan Sun, had its own strange television commercials. One highlighted a middle aged woman using her “psychic powers” to find a hot machine – as if such mysticism actually was the way to winning slot play. It isn’t of course. But it fuels the poor deluded slot players into thinking they too can find a fabulous machine just by using their psychic powers.

Perhaps the commercial that drives me to yelling at the television was Mohegan Sun’s “Nick Felder: I Am An Idiot!” commercial. Yes, I have named it that based on its content.

The commercial opens with a crowded craps table where everyone is madly cheering. A somewhat disheveled young man who has been shooting the dice turns and then walks towards the camera: “I don’t even know how to play this game,” he laughs. “But I’ve got them all fooled. It’s all in the game face, something I call ‘attack force delta.’ So tonight Nick Felder is the deadly green felt ninja. And tonight I’m faking it until I’m making it and no one is going to know the difference.” He then turns and goes back to the table where he shoots the dice and everybody cheers like maniacs even before the dice stop moving.

This commercial was not subtle in getting its points across. It explained that the casino prefers its players to be complete dolts at the tables. Certainly if an idiot such as Nick Felder, the green felt ninja, can play craps than you certainly can too. You don’t have to know anything. Just throw the dice and win! This commercial recommends stupidity as a primary criterion for playing its games, not knowledge of the odds, not knowing which are the best bets.

You have no idea of whether the craps game being shown in this commercial is a good one or a bad one or one in between. Because none of that matters. The casino isn’t selling a good game – it’s selling a mind set for the player or a mindless set to be exact. Just pretend, that’s all you have to do, and you can have “them” all fooled too.

Now to be fair, there are many good casino commercials – showing people enjoying the games, the restaurants, the shows and athletic events, the spas – none of them attempting to promote a mindset that is seriously absent the mind part.

In truth, casino games are tough enough to beat when you know what you are doing. “Faking it until you are making it,” is a sure way to economic disaster.

Frank’s latest books are Confessions of a Wayward Catholic!; I Am a Dice Controller: Inside the World of Advantage-Play Craps, and I Am a Card Counter: Inside the World of Advantage-Play Blackjack. Available from Amazon.com, Kindle, Barnes and Noble, ebooks and at bookstores.

 

Students Are Sharks

 

Students are sharks, no doubt about that. When they scent blood in the water, many will unite and attack. The object of that attack will be the teacher.

I saw some teachers destroyed by students when I was in high school. Even in Catholic schools, teachers were fair game if you could rip them to shreds and not get in trouble (or too much trouble). Few teachers wanted anyone in the school to know that their students swarmed them, sometimes daily, and made them tremble in the face of disdain or vicious attacks. Many teachers would just hold it all in and not share their torment with others. Some of these teachers broke down and quit the profession. That was a true victory for the sharks.

It didn’t matter if the teacher was a nice person; if he showed some fear, or lost his temper and yelled, or trembled; he was dead meat. As a student, I never joined the sharks in their blood-letting. It was too easy; a weak teacher, belittled, and getting his ass chewed; I didn’t want anything to do with that. But you only needed a few students to set up the shark attack. Three or four and the class could be thrown into chaos.

Dealing with Possible Destruction

As a young teacher, losing control scared the hell out of me. It terrified me. I did not want to show any weakness on any day that would open me up to attack.

In 1969, before I entered my first classroom to teach my very first class, I had nightmares of the students turning against me and making me bleed so much that the front of the room was bathed in red. After teaching for 33 years and being out of the game for the past 16 years – I still have nightmares (which I call schoolmares) about not being in control.

In my teaching career I have strong memories of the teachers who lost control; who would cry, females and males, weeping shamefully, after their sharks’ devoured their soft flesh with delight.

I remember a former Marine, a big, strong guy who could rip a student to pieces in a physical fight, brought to blubbering in the teachers’ lounge. He didn’t last a full year on the job. I remember one teacher who was being observed by our department chairman crying as the lesson unfolded because the students became uncontrollable. He lasted two years before he gave up the job. There were plenty more.

Now some teachers can maintain discipline by being bastards or being scary or being both. Students can be rightfully afraid of strong-willed, mean, unrelenting teachers. And many of these teachers actually taught well. A good teacher is a good teacher even if he is a prick or she is a—(well you can supply an accurate descriptor here).

I didn’t want to be a scary, nasty teacher; that’s not me. I wanted to enjoy the classroom and have a good relationship with my students. I wanted to like my students and I would prefer that they liked me. Admittedly there will always be kids you dislike and, yes, some kids would dislike you. That’s the human condition.

Just prior to entering the classroom at the age of 22, I wondered: How do I circumvent the possibility of ultimately facing a school of ravenous adolescent biters looking to chomp on me?

I recalled both good and bad teachers I had encountered when I was a student. One started the very first lesson on the very first day by saying, “People, people let’s begin.” Nothing happened then but he had unknowingly lumped all his students together into one grouping (“people, people”) and many of those “people” in a relatively short time had formed a school of sharks and ripped this guy apart.

Okay, lesson one, don’t let the students think of themselves as one group. Keep each one thinking of him or herself as an individual. They had to think of the relationship with you as a dual relationship – me and Scobe – between two distinct individuals. If a kid liked you that probably would stop that kid from kicking your ass in class.

So no kid represented a group. No kid was the leader of the classroom. No kid represented his race or religion or ethnicity. The kid was the kid and nothing more. It was the student and me, period. Easy to say but how do I put that into effect?

I would face close to 30 kids per class on that first day. I figured that I’d meet them at the door and try to say something personal to as many of them as I could. The administrators of the schools want you to stand at your door to make sure the kids in the hall are behaving. No, it would be better for me to set up the future conditions in my classroom on that first day at the door.

So I would stand in the doorway those first few days and say silly things. If the kid had a tan I’d say something such as “Well, at least we don’t have to go swimming and have fun anymore now that school has begun.” Or “I’ll bet you can’t wait to do a lot of homework.”

To kids who swaggered and looked tough, I might say, “Okay, you are in charge of protecting the nerds. They need someone like you or they are dead from… ” and I’d wave my hand at the students rushing through the halls to their classes. I think most students, like most adults, think other people are idiots. I’d play on that with the tougher kids.

I’ll admit that what I had to say was never all that clever. I just wanted a word with the kid; that’s all, just a lightning-fast personal word, one-to-one.

In class I could build a one-on-one relationship even if I hadn’t gotten to the kid at the doorway. If some student said something really stupid, I would look at another kid in the class and do a quick eye-roll that only he or she could see. We made a connection at that moment. Then I would tease the kid who said the stupid thing— never nasty, just in fun. A little humor and a quick one-to-one with an individual student during class could go a long way in establishing a personal relationship and a classroom tone.

I also knew never to do the same lines or actions over and over. That could get boring.

Okay, that was one idea to employ, a truly personal relationship.

The Humor Trip

Some teachers don’t have much of a sense of humor in their classrooms. If a student got off a good line at your expense, how should you react? Get angry that a kid would dare say something funny about you, the paragon of education? No. For God’s sake, just laugh. What the hell? I enjoyed teasing my students, so why can’t they tease me? There were only a few times when I really wanted to kill the kid who said something mean to me, but I never let the #$%^&* know that.

Or come back with a funny remark of your own. But never nasty, “Timmy, your mother is a smelly ape!” That achieves nothing.

Okay, so have a sense of humor. Don’t take yourself too seriously. Enjoy what you are doing. If you like what you are doing, the kids should like it too. I called that emotional transference.

Classes didn’t have to be dry, dull and deadly. I would do the literature I liked, that I enjoyed, that I could get excited about when I taught it. I would teach writing the way I wanted to teach it.

So this was the plan I put into effect the very first day of my career. Did it work? I think so. In 33 years I never had to throw a student out of my class; or write a disciplinary referral on anyone. I never had to yell at a kid. Don’t get me wrong; there were times when I wanted to walk down the aisle and belt a kid in the nose. No teaching day is perfect even for the best teachers. That is something all teachers know. That’s why most days you see the teachers dragging their asses out of the school building.

Liking My Students

Did I like all of my students? Just about. I did have a few that I couldn’t stand and a couple I can honestly say I hated.

People might think it is wrong for me to say I had a couple of students I hated but I did. Why lie? Out of the approximately 6,000 kids I taught, I think hating two of them is pretty good. Some will say the word hate is too strong a word. If it is then feel free to change it to a word that means hate but doesn’t sound like hate. I’ll have a section about these two creeps in the future. You might hate them too.

And one seemingly weird thing, which will probably sound totally idiotic to many of you, but I remember from my little sister and my cousins when they were toddlers that they liked to have the same books read to them over and over; that they liked to eat the same food night after night. I remember an uncle who shaved his beard and his daughter cried as if he had died because she had never seen him clean shaven.

A certain sameness creates calm.

So I dressed basically the exact same way day after day after day. Each year I tended to have a different uniform (after all my uniform would wear out with such extensive use over one school year). I figured it would be easier for the students to basically see the same Scobe day after day. A leopard doesn’t change his spots and my clothes were my spots.

I remember one year when a PBS station was doing a show about my classroom and that year I wore a burgundy sweatshirt every day. So for the show every student wore a burgundy sweatshirt. It was fun to see all of us looking alike. And we did not give in to telling the producer of the show what we were doing. I just taught my regular class and the students were just great. It was a fun day!

The Attention Span Problem

Here is another situation that concerned me, the attention span of students. I found in my elementary and high school days, in college (even in high-level honors programs), in graduate school and in the mind-numbing education courses to which would-be teachers were subjected, that many students could not concentrate for prolonged periods of time. You could see legs beginning to vibrate; faces lost in dream-states, eyes drooping, and big yawns.

I knew you couldn’t teach a kid if that kid couldn’t pay attention. How do you solve that problem?

Over my years of teaching there have been many idiotic attempts by educators to find methods to engage students for prolonged periods of time. One such was called cooperative learning, where you put students in groups and they teach each other. The smart kids did all the work, achieved all the grades for the group, and the lazy kids did nothing, but they still achieved success through their hard-working peers. Of course that nonsense was not around in 1969.

So what did I do? I watched television. The kids I would teach had been brought up with television. So what held their interest for a half-hour or hour-long show? Something did because we had a nation of kids addicted to this form of entertainment. It took me a while but I got it. Commercials!

Every 10 minutes or so, the show was interrupted with a commercial that did two things; it introduced something new, maybe some product or food or cigarette brand and it gave a break from the program that the kid could get back into when the commercial was over.

How could I introduce the commercial aspect into my lessons? Every 10 minutes or so, I would interrupt the lesson and go on a short riff, something funny or unusual. Then I would get back to the lesson but first I’d say something such as, “Wait, wait, I’ve forgotten what we were talking about. Can anyone help me?” Of course, the kids would raise their hands and tell me what I had taught. Okay, that was a sneaky way to do a review and it also gave the kids the idea that I had a pretty poor memory.

The Students I Taught

In my career I taught every type of student—from advanced placement to regents to non-academic. I once had a class comprised of six felons who had taken someone’s life when they were in junior high school. I had some students who were—even at the young high school ages—far smarter than I would ever be. But a kid is a kid, no matter how brilliant. If a kid taught me something by something he said I had no problem saying, “Excellent. I never thought of that.”

I taught kids from all races and many ethnic groups. I treated them all the same—I’d tease, cajole and praise kids if what they had just accomplished was worth it. I was never overly-critical. I was not an easy grader.

My department chairman won a bet against a teacher who said my popularity was based on my giving out high grades. He told the guy to bring his grade book in and he’d compare the grades, especially when we taught the same students. This teacher’s grades were far higher than mine. My chairman won the bet.

So I had my plan and I put it into effect from day one. I might still have schoolmares so long after retiring but I did accomplish what I set out to do—that was, being the best teacher I could be and to never lose control.

Frank Scoblete’s latest books are Confessions of a Wayward Catholic; I Am a Dice Controller: Inside the World of Advantage-Play Craps, and I Am a Card Counter: Inside the World of Advantage-Play Blackjack. Available from Amazon.com, Kindle, Barnes and Noble, and at bookstores.

Hollywood: The Home of Hypocrites

 

The Hollywood “elite” love to lecture us about morality and causes: “Wall Street is evil! Big corporations must not be given tax breaks! Mega-multi-millionaires and billionaires should be taxed more! Republicans are the party of the rich! Conservatives are stupid! Our new President is a greedy monster!”

They portray themselves as the voice of the “people”; the little people, meaning most of the rest of us.

Seriously, such silliness.

I have a friend who does voice overs and would also make a great television or radio spokesperson for some product. He’s had a heck of a time getting jobs.

Does he muffle his words? Is he ugly and ungainly? Not at all. He’s a good looking, true professional but those big jobs keep eluding him. What is the reason? He’s damn good…but he isn’t:

Jon Hamm; or Donald Sutherland, or Kiefer Sutherland, or Jim Parsons, or Kaley Cuoco, or Brad Pitt, or Matt Damon, or Samuel L. Jackson or Jennifer Aniston, or Angelina Jolie, or Catherine Zita Jones, or James Earl Jones, or Sofia Vergara, or Julie Bowen, or Ty Burrel, or Jesse Tyler Ferguson, or Morgan Freeman, or George Clooney, or Danny DeVito, or Oprah Winfrey, or Robert De Niro, or Al Pacino, or Daniel Craig, or Arnold Schwarzenegger, or Sylvester Stallone, or Kevin Bacon, or Ben Affleck, or Steve Carell, or Mila Kunis, or Leonardo DiCaprio, or Tina Fey, or so many, many more Hollywood stars that would complete this huge list.

Some of the stars on the above list make 10 million or more a movie or a million dollars or more per episode of their television shows. They are multi-millionaires being paid a pretty penny to do commercials.

Without needing the money, they are taking jobs from actors who need every penny they can scrounge. For each Hollywood star doing commercials, there is one fewer unknown not getting his or her break.

Why are such stars so greedy when they are rolling in dough? When they are living in mansions that could house dozens of homeless people or refugees?

Shouldn’t Hollywood stars be concerned about their fellow performers?

Seriously, at every awards show (and Hollywood gives itself so many awards that the statue industry is eternally flushed with cash) multiple stars give pompous speeches about politics, politicians or this or that social cause. Couldn’t some of them at least champion fledging and out-of-work actors?

But, no.

Come on, Hollywood stars, how about a helping hand? How about you don’t take the commercials to add to your immense fortunes, but instead make sure the unknowns, the struggling, or out-of-work get a chance to actually work? Wouldn’t that be a great social cause? A moral statement, far more effective than blathering about Wall Street, giant corporations, conservatives and the rich!

I am not asking for the government to step in and force these super wealthy to be charitable; I am asking Hollywood stars to give up these side jobs so other talented hopefuls can work.

Why don’t the stars do what they tell others to do – give up a little to help many?

[Read Confessions of a Wayward Catholic. Available on amazon.com, kindle, Barnes and Noble, and at bookstores.]